- BEST COMPUTER SOFTWARE FOR FREELANCE WRITERS FULL
- BEST COMPUTER SOFTWARE FOR FREELANCE WRITERS PROFESSIONAL
“They frame the feedback in a way that makes it feel like they’re highlighting the parts of the story they want to learn more about or have unpacked.”īelmonte said the editors she likes to work with “present ways to simplify my writing even further and present complex ideas more concretely.” “My favorite editors usually shape their feedback as questions rather than just crossing things out or rewriting themselves,” freelance health and culture writer Joelle Zarcone said.
When both writer and editor are on the same page about the best way forward, it breeds ease for the rest of the project. Writing is such a vulnerable thing, so a big part of what I’m doing is trying to make sure the person feels good about what I’m doing as an editor.” Getting the best out of your writers “Even though writing is about the technical, it’s also about emotions.
BEST COMPUTER SOFTWARE FOR FREELANCE WRITERS PROFESSIONAL
“I try to think of it as the beginning of a relationship - a professional one, granted, but still, a relationship,” Dar said. Mahnaz Dar, a senior editor at Library Journal and School Library Journal, believes a big part of giving feedback for freelancers is helping them become the best writers they can be. “Developing the relationship in this way helps to engender a level of trust between the editor and writer that will help with the final product,” he said. He likes to get on the phone when time permits to ensure there’s clarity. Henry Pickavet, the editorial director at TechCrunch, also likes to have lots of direct communication with freelancers. “Basically, it’s a huge waste of my time and theirs.” “Sometimes it’s hard to parse apart what the editor is actually looking for me to do in those comments, which means we just go back and forth asynchronously in the comments,” she said. Strengthening freelancer relations is just as important as editingįreelance tech writer Clair Belmonte, who focuses on B2B stories, said the overall directive is key for her, too. He does this to explain his initial thoughts and provide the best course of action. The final part of his process is providing an encompassing note at the top. Then I do a second read as an editor who wants to take a look at sources and attribution, structure, readability, etc.” “This can be overly comprehensive and overwhelming, but it helps strip down the piece.
“This way my edits are coming from the stream of consciousness of someone who is mostly unfamiliar with the topic and whose need or curiosity for information isn’t being fulfilled,” he said. He drops in questions, comments and kudos during his first read of a draft. My edits are then made from a place of meeting the main objective, rather than addressing each comment individually.Įditorial director at Chron, Matthew Kitchen starts this process by editing immediately without giving the story a once over.
This way I can see the big picture before diving into individual paragraphs. Whether it be via email, at the top of the Google Doc, or over the phone. In my personal experience, editors who offer an overall summary of where the draft is and where we need it to be are the best. OutVoice spoke to writers and editors about what they look for in terms of this exchange and how publishers and editors can give better feedback to freelancers. And an integral part of editing a freelancer’s work is giving and receiving feedback. It should feel like a two-way street.Ī major part of these collaborative relationships is editing. Editors buy them and adjust them to best fit their publication’s needs. Freelancers sell their stories and words. While it’s normal, this seemingly uneven power dynamic doesn’t need to exist.
BEST COMPUTER SOFTWARE FOR FREELANCE WRITERS FULL
They’re full time at the publication, they approve your rate, they comb through your words with a fine-tooth comb and often change them. As a freelancer, it’s natural to feel as if an editor holds all of the power when it comes to feedback.
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